The curious seekers eventually find out that the DADA movement had its beginning in the Cabaret Voltaire, located in Zürich, Switzerland. Way back in 1916. That is usually where it ends for most of us. Then we leave it at that. The movement was anti war, or we were told dada is a child's made up word. All is lies. The reason was buried from view. Read on to find the TRUTH.Reference Films used to recreate the first shows reveal a different event taking place. Notice the dance moves of the women. Here is a current link https://www.youtube.com/watch?v=fkl92oV1kMc The film was called Dada, 1969 Hugo Ball was not creating gibberish, or a weird art form. He was invoking the spirits. His source of information was esoteric texts. An important clue lies in the motion of the female dancers. These are the moves similar to what Gurdjieff was doing in the same year in St. Petersburg. Photo reference: http://www.enneagram.ie/wp-content/uploads/2017/01/Akash-sacred-sufi-dancing-retreat-Gurudjief11.jpg This can be compared with an attempt at the Gurdjieff movements in this vedio www.youtube.com/watch?v=VhM8PsEYX0M His choice of costumes were done to illustrate the swim in the primordial waters of creation. This misunderstanding of artist using masks from Africa has weaken European scholarship. The artists were not seeking inspiration by exploring the art produced from the societies there. An examination of classic photo of Ball reveals the fish motif. This photo is of his famous performance where he gave his trance establishing speech. Known as the magic bishop. His tall hat is referred to as a shaman's hat. He gave his performance slowly gadji beri bima glandridi lauli lonni cadori gadjama bim beri glassala glandridi glassala tuffm I zimmrabim balsa galassasa tuff I zimbrabm and so on. He gave two poems following the introduction. These were Song to Clouds and Elephant Caravan. Hugo Ball used a book written by the artist Vasily Kandinsky entitled Sounds. These were 38 prose poems and 56 woodcut prints. This also shows, being that Kandinsky study esoteric texts, a heavy influence of esoteric information among the members of the Voltaire cabaret. Kadinsky's book can be found at this site: https://monoskop.org/images/d/d9/Kandinsky_Klaenge.pdf Photo Reference Schweizerisches Literaturarchiv Bern, Switzerland The enlarged head showing growth of the mind following the unification of the upper and lower minds. He is dressed for a swim like a leviathan. The verbal interplay developed for the shows had its origin in the work Lingua Ignota, Author Hildegard von Bingen, 1200 AD. Texts for the performances came from such works as The Flowing Light of the Godhead, by Mechthild, 1250 AD. Another source was the Aurora by Jakob Bohme, 1612 AD. Hugo Ball made a conscious effort to introduce mystic elements into his productions. More information on his methods are just beginning to be introducd into the main stream literature and other medias. Hugo Ball pointed out his DADA stood for the initials of Dionysius the Areopagite. That is a fitting end for this article. In his De Coelesti Hierarchia. Dionysius lists the spirits:
1. Seraphim, Cherubim, Thrones 2 Dominations, Virtues, Powers 3 Principalities, Archangels, Angels Further Reading 1 Hugo ball and the Theology of Zurich Dada by Johnathan A. Anderson http://civa.org/sitecontent/wp-content/uploads/CIVA-Between-Two-Worlds-1A-Jonathan-Anderson-The-Theology-of-Protest-Hugo-Ball-and-Zurich-Dada.pdf 2 De Coelesti Hierachia Dionysius the Areopagite http://waroftheages.net/uploads/The_Celestial_Hierarchy__Dionisius_.pdf 3 St. Hildegard of Bingen wrote Linga Ignorta (a spiritual language) and was used by Hugo Ball to create his verbal trance. Examples: Aigonz - God, Aieganz - Angel, Korzinthio - Prophet https://sites.nd.edu/manuscript-studies/2015/10/01/letter-i-ardly-know-er-the-unknown-language-and-letters-of-hildegard-von-bingen/ 4 Jacob Boheme - A collection of his work online http://www.jacobboehmeonline.com Aurora - Boheme's ideas about nature, the divine, and human beings are introduced in his first book https://archive.org/details/JacobBoehmesAurora-ElectronicText-edition 5 Flowing Light of the Godhead, by Mechthild of Madenburg. No online English texts available German text available www.rudihaberstroh.de/zit/zitmechtmagdgottheit.pdf 6 En Avant Dada: A History of Dadaism by Richard Huelsenbeck https://monoskop.org/images/1/18/Huelsenbeck_Richard_1920_1981_En_Avant_Dada_A_History_of_Dadaism.pdf
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A misunderstood text in the literature of China has caused great difficulties for western scholars. The work in question is translated in english as the Spring Autumn Annals. The title is written as 呂氏春秋. To add to the confusion the translations never indicate the sections from which these passages are taken out of context. The interpretations make for some fascinating fiction. One refers the annals to be a political commentary [1]. Another believes a certain passage provides the instructions for the creation of the chinese tonal music system [2]. The fact that there is insufficient information to construct a tonal scale has not provided any important clues that this therefore has nothing to do with music. In fact both scholarly ventures are wrong. The Spring Autumn Annal is in fact an esoteric text, describing the neurophysiology of the human being. The translations of the passage vary widely. An important fact is that the names are required to correctly understand the information the text conveys. This includes the the name Ling Lun and the mountains. A big mistake is to search for the the mountains referenced in the text on the earth One version is reproduced here: The yellow emperor ordered Ling Lun ( 伶倫) to make pitch standards. Ling Lun (伶倫) travelled west of Daxia (大夏) all the way to the northern slopes of the Ruanyu (阮瑀) mountains. [3] He gathered bamboo from the valleys of Xieqi (嶰谿) (clearly a medical reference) and, selecting those pieces with chambers and walls of uniform thickness, he cut a section from between two nodes. The length of a section was 3.9 inches and he blew into it. The sound produced was pleasing. he called it the yellow bell (黃鐘). [4] The yellow bell is a metaphor used in alchemy literature to describe the kundalini. The work goes on to talk about the construction of a pitch pipes using the yellow bell as a reference. Ling Lun (伶倫) prepares several pitch pipes (lülü 律呂) The actual meaning of (呂) is spine. The glyph resembles a human spine. This topic will continue in a later post.
Reference 1 https://en.wikipedia.org/wiki/Spring_and_Autumn_period 2 Karpati J. (1980) Myth and Reality in the Theory of Chinese Tonal System, Studia Musicologica Academiae Scientiarum Hungaricae pp. 5-14 3 Comment: The geographic references are specific to the anatomy of the brain and spinal column. There exists a stubborn attempt to place Daxia with Bactria 4 DeWoskin, K.J. (1982) A Song for One or Two: Music and the Concept of Art in Early China. Ann. Arbor. Actual text in complex script below 昔黃帝令伶倫作為律。伶倫自大夏之西,乃之阮隃之陰,取竹於嶰谿之谷,以生空竅厚鈞者、斷兩節間、其長三寸九分而吹之,以為黃鐘之宮,吹曰「舍少」。次制十二筒,以之阮隃之下,聽鳳皇之鳴,以別十二律。其雄鳴為六,雌鳴亦六,以比黃鐘之宮,適合。黃鐘之宮,皆可以生之,故曰黃鐘之宮,律呂之本。黃帝又命伶倫與榮將鑄十二鐘,以和五音,以施英韶,以仲春之月,乙卯之日,日在奎,始奏之,命之曰咸池。 The author Alejandro Jodorowsky pointed out that the Tarot will teach you how to create a soul. Humans are drawn to the images because...because..! They don’t know how to express the sudden rush of feelings. A momentary loss of words occurs. An intellectual answer might be the tarot is interesting for It is strange. Whenever we are pulled to a symbol the event is the result of the higher self trying to communicate on the physical plane. Words to describe this become ephemeral. The term "a loss of words" occurs. The images, symbols, and choice of colors are selected to speak to the self. The results is striking. This is evidence that higher conscious states exist based on the responses that are invoked. The symbolism all relates to neurophysiology. The items in the card above appear to the viewer as a cup, a sword, a coin (on the table), and a stick, or baton (in the hand). These are symbols that relate to how energy interacts with ganglia along the spine. The cup refers to interaction with prostatic ganglion, The sword refers to interaction with the cardiac ganglion, The wand refers to interaction with the epigastric ganglion, The coin refers to interaction with sacral ganglion. This image therefore describes how nerves serving glands and organs can be controlled by the mind. How does the tarot relate to the cranial nerves? This is important to support the relationship discovered in the tribes of Israel and zodiacs of India and the western astronomy. The relationship shows that the ability of astrology to diagnose illness was not founded on the interactions of stars and planets in the sky. There is a highly developed connection between bodily and mental function that are revealed by the tarot. A feedback system is created. The images on the cards can be used in healing and growth. The effect of art can be shown yet again. Tarot decks are always being design to invoke current motifs in art. The effects of these cards is far reaching.
Languages are useful for communication. We often assume information is only exchanged among the conscious states. If one examines the glyphs below a startling story unfolds before our eyes. These speak of a physiological function controlled by higher mental faculties. The viewer concentrates on the pattern of images to activate and unite the cluster of nerve fibers running along the spine and in the brain. These involve the Sacral, Prostatic, Epigastric, Cardiac, Pharyngeal, Conarium, and the Cavernous ganglia. The ability to speak to others is often associated with a human trait. What of communicating with your nervous system. If the body is maintained without conscious thought then why do humans experience physiological changes when exposed to art, and music. Why do we become emotional and in fact what is the mechanism? Why do we feel elated upon hearing a certain song, or words from a speech? Imagine from a picture we can communicate with our higher selves.
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