This is the Ancient name of a book called The Songs of Solomon. The text is a personal one. It is used by the mind for meditation. The alchemist calls it the way to make Gold. Reading the verses without the Wisdom of what the text is used for and the understanding of what the words means will not produced gold, nor silver, and no rubies. In order to achieve the intended goal of making Gold, Silver, and Rubies we must first have Wisdom. The Philosopher’s Stone is the Wisdom I speak. To make Gold means to confer Soul Power. The passage of the Canticles provides the necessary information. The 8 chapters confer the steps of purification, Calcination, and the Projection of the Philosopher’s Stone. The base metal to be transmuted into a spiritual stone is described in Song of Solomon 1:5. I am black and beautiful O daughters of Jerusalem, like covets of Kedar, Like Solomon’s skins. The dual forces involved in the perfection of the stone called Lunar and Solar forces are described in Song of Solomon 2:1. I am a rose from Sharon, a lily from the valleys. The process of Sublimation is described in Song of Solomon 2:4. 2.4 Bring me into a house of wine; array love over me. The application of the alchemical fire is described in Song of Solomon 2:7 and 4:16.
2.7 I adjure you, O maidens of Jerusalem, by the gazelles and by the young does of the open fields. (The powers and forces of the field) 4:16 Awake, O north wind (from the Pineal Gland); come, O south wind! Blow on my garden so that its fragrant spices may send out their sweet smell. May my beloved come into his garden and eat its delightful fruit! The process of Putrefaction that leads to the resurrection of the elements is described in Song of Solomon 3:1. The distillation of the universal elixir is described in Song of Solomon 3:6. Who is this coming up from the desert like a column of smoke, like a fragrant billow of myrrh and frankincense, every kind of fragrant powder of the traveling merchants? The coagulation and change of color is described in Song of Solomon [6:9 through 6:13]. 6.9 My dove, my perfect one, is the only one, the only one of her mother, outstanding to her that bore her. Daughters saw her and will call her happy; queens and concubines and they will praise her. 6.10 Who is this peeping forth like the dawn, fair as the moon, outstanding as the sun- as awesome a sight as women arrayed? 6.11 I went down to a nut orchard to look upon products of the wadi, to see whether the vine had blossomed, whether the pomegranates were in bloom. There I will give you my breasts. 6.12 My soul was not aware; it made me as Aminadab’s chariots. 6.13 Return, Return, and we shall look upon you. The fixation of the crystallization of the stone is described in Song of Solomon 2:12 and 8:4. 2.12 The pomegranates have appeared in the land, the time for pruning and singing has come; the voice of the turtledove is heard in our land. 8.4 I admonish you, O maidens of Jerusalem: Do not arouse or awaken love until it pleases. The multiplication of the elements is described in Song of Solomon 6:8. 6.8 There are sixty queens, and eighty concubines. The augmentation and final projection of the stone is described in Song of Solomon 8:8 through to the final pages] 8.8 We have a little sister, and she has no breasts. What should we do for our sister, on the day when she is spoken for? 8.9 If she is a wall, let us build upon her battlements of silver, but if she is a door, let us carve for her a board of cedar. 8.10 I am a wall and my breasts are like towers; I was in his eyes as one who finds peace. 8.11 Solomon had a vineyard at Beelamon; he entrusted the vineyard to keepers; a man was to bring for its fruit a thousand pieces of silver. 8.12 My vineyard, my own is before me. The thousand are for Solomon, and the two hundred for the keepers of his fruit. 8.13 O you who sit in the gardens, companions are listening to your voice; 8.14 Flee, my brotherkin, and be like the gazelle or the fawn of the stags upon mountain of spices! A minor description of one of the passages bears reading. The passage in Song of Solomon 2:1 reads as follows: I am the Rose of Sharon, and the Lily of the Valleys. The Rose of Sharon represents the physical body. The Lily of the valleys represents the astral body. The meaning behind this sentence is the uniting of the physical body with the astral body. This is one of the early goals of alchemy. The I refers to the mental body. When this realization occurs in the mental body the benefits of uniting the astral and physical bodies can be experienced. The two characters in the story are Solomon and the Dark Princess. This is the Sun and Earth.
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What if I were to tell you. Everything you need you already possess. Here, Here, Take this... This is the key to unlock the door. Perform the indicated Mudra shown above in the painting. This is the key The function of the mudra is to take the powerful energy given from the Heart nervous system to the Sacrum nervous system, where it can do some good rather then be dissipated into the atmosphere. Note the calming effect. Your welcome. We speak of many things in our lives, such as Love, finding our special someone...of sealing wax and ships. What of the Claustrum? Indeed it is an old friend. Our Love and desire. The Santa Claus is real it is known by the Nickname “Claustrum”. This is a structure in the brain. It offers to us a vital substance. One can imagine that the spinal column could in principle extend beyond the head out into the sky. It is not unusual that Papa Noel has a home in the North Pole. Instead of wearing a red costume, and being chubby. The Claustrum is thin and in humans it is slightly curved. The neocortex is connected to The Claustrum. Despite the gross structural feature description there is the Mystery about this sheet of neurons. Scientists can only speculate about its function. The resolution of this veil like organ is actually poor. In later years more will be learn as real time detection methods improve. The Pole Star relates to the brain and spinal column. The meaning then is that this entity does indeed have a home at the North Pole. Any anatomy book can be utilize to gain information about this resident’s address. Herein we return to that fruitful spring of untapped discoveries The Spring and Autumn by Lu Bu Wei. What than of music? Can we assign a beginning like zero for the number system? Numbers are part of the sacred science. Numbers can be assigned to alphabets. This creates a host of many relationships. The same is true of geometry. The term sacred geometry is a hot topic yet the application to mediation and access to the mind has not been applied by anyone. We are mere children in our intellectual development and do not realize what we can do with the art we possess.
The origins of music lie far back. Further than the current past has been estimated to be. The great effect music has on our psyche implies it was created in a much earlier time. The Spring and Autumn text suggests the mathematical relationship of measure in a music score is from the Oneness. A time came when the Oneness produced two poles. Notice the mathematical trend 0 nothingness. Followed by 1. The Oneness. Then 2 poles. 3 the Trinity. This spiritual information exists in our number system. The two poles generate two powers. The power of light and the power of darkness. These powers when balanced lead to the conditions where music can be created. This is referring to our mental states. You will observe that their is no mention of a good or a bad. This is flaw in the perception people develop when they try to decipher esoteric texts. Their never was a polarity of choice, nor for that matter of gender. A sense of equilibrium is necessary for the powers of light and dark. This leads to a peaceful condition. When the world is at peace this is ideal for perfecting music. When all the various thoughts follow the will (this is read, YOUR WILL) throughout the course of the day and night then this results in the perfecting of music. Put in fancy words: When all things are tranquil and all the lower minds obey the higher mind in all their courses, then music can be perfected. Read the higher mind, the higher consciousness. Read the lower minds. The ganglions along the spinal column. When the different competing spirits do not achieve the intended goals this leads to chaos. In other words the wrongful paths. These are the desires and passions. Disappointments of not reaching your objective makes heaven shake. The conditions are not suitable for making music. This means when you are angry and sad how can you focus? How can you meditate? The equilibrium of the different powers accessible to a person leads to stable growth. This equilibrium arises from the emotion of righteousness. The correct thoughts will lead to correct action. The feeling of righteousness is connected by a mental sense of the cosmos. This connection enables one to understand what music is. The connection of music with Our Father prayer Music is found on the harmony between heaven and earth. To understand such a far reaching concept that the activities of the mind are related to the construction of music. One must in turn realize that the type of music produced is important. Serene music leads to success. Conflicting emotions are described in the sea of consciousness as a storm. This is the condition of recklessness. Tempestuous music leads to a kingdom of doleful spirits. The state of gloom, and melancholy is connected to music. This is not the music you listen to. This is the music you compose in your mind. What is that you say? You are not a composer. Go back please and re-read the article. The sacred geometry is connected with sacred mathematics, and sacred music. Western mystics point out that the necessity for essence to develop by the planetary influences can only occur by gaining permission from the protective ego. Once the ego realizes their is indeed help to change the process begins and the familiar Peacock will be produced. The connection of musical spheres with mental development answers the question many have been trying to discover: Just how did Kelper develop his theory? The text of Lu Bu Wei provides the answer. It was not the result of having access to the platonic solids. These symbols and their meaning were well known. It was the application of the missing link in Western esoteric texts. The role of music and the mind. The idiom hearing the Songs of Chu denotes unpleasantness. Remember it is not hearing music, it is your thoughts. In the Opera the King of Chu hears the music from his vanished kingdom. The culture of Chu was of high value. The music he heard was performed by the evading forces to trick him. The king long for the past glory in his mind. We make our present by thinking in the present. This uses music correctly. Once we daydream we enter a trance. Once we think of the past we loose time to create in the present. By spending our time dreaming of success in the future we agin loose time to create in the future. Be aware the culture of the State of Chu was produced by Artisans in the moment. The disappearance was caused by dreaming. This shows that their are two meanings at work in the idiom. A literal view provides confusion until it is realized when we speak of music we are talking about the control of the thoughts and emotions. This is referred to in texts as angels (messengers) and daemons (spirits). Angel (Greek) Messenger Thought Inspiration from Meditation Daemon (Greek) Spirit Emotion The fruits of the sea This is why meditation in the Torah and Bible are referred to by a fish, a fishing hook, and a net. A calm sea means peaceful thoughts. A ranging storm. A tempest means emotions that can be heart wrenching. The fruits of the sea can be all kinds of animals. This is why the book of genesis goes into detail describing all kinds of sea life. Yet the translators have not yet been able to determine what these animals are. Therefore you have to search hard for a better translation. Some simply omit the list. This is rather unfortunate as the animals listed are important to the reader. They give an understanding of self. This is also why Sun Ra produce albums with the Titles: Angels and Daemons at Play, and When Angels Speak of Love. He understood what these entities describe simply our thoughts and emotions. Further Reading The Spring and Autumn, by Lu Bu Wei The Glass Bead Game, by Hermann Hesse |
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