Herein we return to that fruitful spring of untapped discoveries The Spring and Autumn by Lu Bu Wei. What than of music? Can we assign a beginning like zero for the number system? Numbers are part of the sacred science. Numbers can be assigned to alphabets. This creates a host of many relationships. The same is true of geometry. The term sacred geometry is a hot topic yet the application to mediation and access to the mind has not been applied by anyone. We are mere children in our intellectual development and do not realize what we can do with the art we possess.
The origins of music lie far back. Further than the current past has been estimated to be. The great effect music has on our psyche implies it was created in a much earlier time. The Spring and Autumn text suggests the mathematical relationship of measure in a music score is from the Oneness. A time came when the Oneness produced two poles. Notice the mathematical trend 0 nothingness. Followed by 1. The Oneness. Then 2 poles. 3 the Trinity. This spiritual information exists in our number system. The two poles generate two powers. The power of light and the power of darkness. These powers when balanced lead to the conditions where music can be created. This is referring to our mental states. You will observe that their is no mention of a good or a bad. This is flaw in the perception people develop when they try to decipher esoteric texts. Their never was a polarity of choice, nor for that matter of gender. A sense of equilibrium is necessary for the powers of light and dark. This leads to a peaceful condition. When the world is at peace this is ideal for perfecting music. When all the various thoughts follow the will (this is read, YOUR WILL) throughout the course of the day and night then this results in the perfecting of music. Put in fancy words: When all things are tranquil and all the lower minds obey the higher mind in all their courses, then music can be perfected. Read the higher mind, the higher consciousness. Read the lower minds. The ganglions along the spinal column. When the different competing spirits do not achieve the intended goals this leads to chaos. In other words the wrongful paths. These are the desires and passions. Disappointments of not reaching your objective makes heaven shake. The conditions are not suitable for making music. This means when you are angry and sad how can you focus? How can you meditate? The equilibrium of the different powers accessible to a person leads to stable growth. This equilibrium arises from the emotion of righteousness. The correct thoughts will lead to correct action. The feeling of righteousness is connected by a mental sense of the cosmos. This connection enables one to understand what music is. The connection of music with Our Father prayer Music is found on the harmony between heaven and earth. To understand such a far reaching concept that the activities of the mind are related to the construction of music. One must in turn realize that the type of music produced is important. Serene music leads to success. Conflicting emotions are described in the sea of consciousness as a storm. This is the condition of recklessness. Tempestuous music leads to a kingdom of doleful spirits. The state of gloom, and melancholy is connected to music. This is not the music you listen to. This is the music you compose in your mind. What is that you say? You are not a composer. Go back please and re-read the article. The sacred geometry is connected with sacred mathematics, and sacred music. Western mystics point out that the necessity for essence to develop by the planetary influences can only occur by gaining permission from the protective ego. Once the ego realizes their is indeed help to change the process begins and the familiar Peacock will be produced. The connection of musical spheres with mental development answers the question many have been trying to discover: Just how did Kelper develop his theory? The text of Lu Bu Wei provides the answer. It was not the result of having access to the platonic solids. These symbols and their meaning were well known. It was the application of the missing link in Western esoteric texts. The role of music and the mind. The idiom hearing the Songs of Chu denotes unpleasantness. Remember it is not hearing music, it is your thoughts. In the Opera the King of Chu hears the music from his vanished kingdom. The culture of Chu was of high value. The music he heard was performed by the evading forces to trick him. The king long for the past glory in his mind. We make our present by thinking in the present. This uses music correctly. Once we daydream we enter a trance. Once we think of the past we loose time to create in the present. By spending our time dreaming of success in the future we agin loose time to create in the future. Be aware the culture of the State of Chu was produced by Artisans in the moment. The disappearance was caused by dreaming. This shows that their are two meanings at work in the idiom. A literal view provides confusion until it is realized when we speak of music we are talking about the control of the thoughts and emotions. This is referred to in texts as angels (messengers) and daemons (spirits). Angel (Greek) Messenger Thought Inspiration from Meditation Daemon (Greek) Spirit Emotion The fruits of the sea This is why meditation in the Torah and Bible are referred to by a fish, a fishing hook, and a net. A calm sea means peaceful thoughts. A ranging storm. A tempest means emotions that can be heart wrenching. The fruits of the sea can be all kinds of animals. This is why the book of genesis goes into detail describing all kinds of sea life. Yet the translators have not yet been able to determine what these animals are. Therefore you have to search hard for a better translation. Some simply omit the list. This is rather unfortunate as the animals listed are important to the reader. They give an understanding of self. This is also why Sun Ra produce albums with the Titles: Angels and Daemons at Play, and When Angels Speak of Love. He understood what these entities describe simply our thoughts and emotions. Further Reading The Spring and Autumn, by Lu Bu Wei The Glass Bead Game, by Hermann Hesse
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