The word तारा is pronouced tārā, this word is designed to elicit a crossing. The desire is to cross a door. The purpose of choosing the right word was aimed at getting an everyday function into a magical event. In any art form to be effective the concept of layering adds to the viewing experience. The higher worlds beckon if the invocations are impressed into the art. In a ritual experience the passive experience causes the viewer to remain in their level of cosmology. IF they are in the first earth before attendance, they may leave in the same position. Artists involved in performances are concerned with this problem. The religious rites were designed with the objective of making an event a divine one. The material chain forms a loss of form and understanding for the participants that just by participating they fulfill an obligation. This increases the distance between the higher heavens and all the earths if the spirit feels trapped in the physical body.
The images of the green and white tara were made to achieve access by visual stimulation.
Our Tara had a form used in the taking of liquid in a ritual. The key implicit in the activity is to bind every part of the participant's body with the divine savior. The sanskrit wording is Tara Dravamayi. In the planned preparation the participants were not to be thinking of other actions. They were to believe each of them were the (hero + heroine)* in the drama. The portion missing in rituals is the action of the reader. The concept of Devine Action is assigned to Sakti. These actions must reflect in your every day activity and feeling. The wording nature and magic have a separating motion on our thinking. The magic must be an every moment occurrence to lead to a result.
* The participant, in the ritual, has both genders. The gender description are mental components which refer to the conscious and subconscious. These are separated in the second Adam. In the the original Adam they were united.
By taking a beverage that is bound to the Saviour, the heroes are made aware that each and every organ in their body will receive the beneficial effects. The Feminine Saviour will provide this tender loveing care through herself. The Saviour Mother will provide no harm. The author Heirich Zimmer describe this ritual in his text The Philosophies of India. There can be no question, as is necessary for a ritual, that the intent is assured. When the hero takes the goblet. There is strong knowledge that Tara Dravamayi is the liquid resting inside.
The Greek word χάρης is Charis. Her life saving blood was represented as a wine in a ritual. The occult term describes the substance as the menstruum used in birth. It is associated with life. The name in English can be Grace, kindness, Life. To understand Charis and the effects on neurophysiology a knowledge of the Ogdoad system is essential. Words applied in ritual were carefully chosen to elicit effect provided the other aspects of art were included. Dance, motion, color, preparation. All are necessary. Else just as reading an article it may interest you. A change occurs when you are mentally lifted up off the ground and placed back on your side. This change in viewpoint exhibits a change in an hour. To return to your original state makes you feel why be involved if there is no apparent benefit.
The Ogdoad (ὀγδοάς) system is in all traditions. They may be masked. They may be presented only when you are ready. The Egyptian involved 8 deities of 4 goddesses, and 4 gods. The names were chosen to bind to different levels of thinking for they had their profound service when used in high levels of thought. The aspect of the Ogdoad is encroached only in theories of machine learning. A sophisticated science of how we execute our will has been known for centuries. This is the application of the Ogdoad system. Their names are 1 Nun, 2 Naunet, 3 Amun, 4 Amaunet, 5 Keku, 6 Kauket, 7 Hehu, 8 Hauhet. They are called the celestial rulers. Each name is associated with a process of thought and biological control.
The first eight are designated as pairs of male, female entities. The series (male + female) is written as follows: (Nun + Naunet), (Amun + Amaunet), (Keku + Kauket), (Hehu + Hauhet). The god Hehu comes from the root word heh. This means million(s). The deity is designated the god of infinity. The first pair created the remaining six pairs. This is (Nu + Naunet). From this couple (Amun + Amaunet), (Kaku + Kauket), and (Hehu + Hauhet) were derived. The 4 elemental deities that oversee the bodily systems and support the vault of heaven are produced from the coupling of Keku and the consort Kauket. It is from this organization that one can grasp the meaning of how the term creation is understood. By thought the mind created the body. The child gods from (Keku + Kauket) are Hapy, Imsety, Duamutef, and Kebhsenuf. This schema also explains the role of deity with the jurisdiction of a specific organs or circulatory system. This ultimately provides a way to learn how mind influences bodily function and how external influences can affect mind. This will be important when studying the phenomena involved in animal magnetism, and somnambulism. Therefore Charis is just as important to the mind as Bethel. These words bind to portions of the body.
The eight system of gods. The serpent headed figure represent goddess.
The structure of the eight deities can be compared the the Greek tradition. The higher deities can be affixed to the lower system. This builds up a framework that leads to a model of thinking interfacing with the physical body. That means there are several groups of eight deities. These deities serve to emanate information from one to the other. In the Egyptian Mysteries the deity Atum produced Shu and Tefnut from the egg. The meaning is clear because shu and tefnut combined form the nervous system. The origin at birth of the nascent nervous system evolves from an egg. The metaphor agrees with the physical observation. The earlier formed match up with the early structures that are observed in biology.
The Egypt names were made from the Hermopolis ( Ἑρμοῦ πόλις ) pantheon. This is important as the location defines which body we are talking about. The city is located near the boundary of upper and lower Egypt. It is also the city of Hermes (Thoth, Tehuti, Taht, god of moon). This is a reference to the mind. By comparing the Greek with the Egyptian an understanding of the terms is possible.
A text describing the emanations for the Greek system can be found in the scholarship of Saint Irenaeus. Some information on the relationship of Charis and Sige is offered. A more advanced study is required to learn why Sige is linked to Charis. The necessary information requires how generations transform in mental maps. The source of a generation name is a recognize concept. How to use them is not known. The application of this is not studied extensively. Fragments of the ceremony have been reported in other texts. The work of Elaine Pagels on the Gnostic Gospels is a useful beginning source of information. The ritual is quite old. The author Marcus writes of Charis as Follows: May she who is before all things, the incomprehensible and indescribable Grace, fill you within, and increase in you her own knowledge.
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